Published Aug 30th 2011 in Orlando Arts Magazine
by Denise Bates Enos. Photography By Phelan M. Ebenhack
As a youngster in India, Yatin Patel dreamed of being a photographer when
he grew up. However, he ended up taking a more practical career route,
establishing successful dot-com businesses that ultimately gave him the freedom
to pursue his dream. “At some point in life, you should do what you love,” he says.
“After I sold my last company, I had a chance to dive into what I love. I look around
and see the places I’ve shot, and it makes me happy.”
And he doesn’t have to look far: Patel
has created a personal gallery of sorts
in his circa-1920s, Mediterranean-style
home. His works, which feature hand-inked photographs of India, can be found in
nearly every room, from the kitchen to the
game room to the master bedroom. The
photographs lend a feeling of timelessness and gravity to the décor, which is exactly
the ambience Patel wanted to create. “My
home is like a gallery of my work,” he
explains. “The history of the house coming
from the 1920s—my work reflects history,
too. I like that connection.”
Patel’s College Park residence has its
roots in the “Roaring ’20s,” but it underwent a major renovation at the turn of
this century. Beasley & Henley Interior
Design of Winter Park, along with builders
Glenn Davis and Renee Stein-Charlan, and
the architectural firm of Charlan-Brock &
Associates, all located in Maitland, collaborated on the renovation. The end result is
a 9,000-square-foot, Spanish-influenced
mansion that won a Grand Aurora Award
for its construction and design.
Inside the home, which boasts views
of Lake Concord from the back and Lake
Adair from the front, majestic columns
and graceful arched entryways elegantly
frame and define living spaces. The
interior features a warm color palette of
umber, stone and terra cotta that serves
as a contrasting counterpoint to Patel’s
cool, complex works.
The artist calls his collection—which
was photographed in his hometown
of Ahmedabad, India—Sutra, an IndoAryan Sanskrit word that means “a
thread or line that holds elements
together.” This theme is woven throughout his images by the juxtaposition of
dark and light, old and new, inanimate
and animate. His photographs capture
India’s distinctive architecture, street scenes and people in compositions that
are made even more dynamic through
the production process. Patel works
with digital printmaker Jon Cone to
print each work on handmade Japanese
paper, using a dozen custom-made
monochromatic inks in shades of
bluish grey, pure grey and black, and
strong brown.
The thematic thread of Patel’s works
also links them from room to room,
lending continuity as guests move from
the dining room, where his work Eras
hangs, to the kitchen, where Presence
can be found on the stone counter. The
living room is home to Glimpse, and a
copy of the collection’s icon hangs over
the fireplace. The word “sutra” for the
icon was hand-lettered in Lantsha—a
Tibetan script created for writing the
Sanskrit language—by former Buddhist
monk and artist Tashi Mannox. In the
master bedroom, Dimensions, which is
printed on metal, rests on a decorative
easel; the same work printed on Kozo
paper also hangs in the game room “What I look for is civilization that
lives in harmony with architecture,”
explains Patel. Photographing his native
India was a natural choice to launch his
artistic career, but he plans on traveling
around the world in order to expand his
collection. His next trip will be to Cuba,
and he hopes to shoot throughout Tibet
and Nepal in the future. Wherever he
travels, it’s a sure bet that he’ll come back
with beautiful new works for his College
Park home.
Sutra will be on display this fall at 120
N. Orange Ave. The public is welcome to
the opening reception, which will take
place September 17 from 6:30 to 10 p.m.
From September 18 to 30, the collection
space will be available for private functions. To schedule a viewing, contact
Patel directly at yatin@yatinpatel.com or
407.810.6256.
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